Al-Kindi
About 801 to about 873

Who was Al-Kindi, and what is truly known of them?
What is known
Arab philosopher of Kufa and Baghdad, called the Philosopher of the Arabs, who worked under the caliphs al-Mamun and al-Mutasim and oversaw translations of Greek philosophy into Arabic. About 260 titles are listed under his name, on philosophy, medicine, optics, music, astrology and mathematics; most are lost. His treatise on reading secret messages is the earliest known account of breaking a cipher by counting how often each letter occurs. He wrote on the lute and on music as a medicine for the soul. Under the caliph al-Mutawakkil he fell from favour, and his library was for a time taken from him.
The teaching
Taught from his own treatises, above all On First Philosophy, On the Intellect and On Dispelling Sorrows.
Truth from whatever source
Al-Kindi opens his First Philosophy with a rule for learners. We ought not to be ashamed to praise the truth and to take it from wherever it comes, even from peoples far from us and nations unlike us; for the seeker of truth nothing is worthier than the truth itself, and it never lowers the one who reaches for it. We owe thanks to those who brought us even a little of it, for they are partners in what we have gained, and each generation adds to what the last achieved. Philosophy is the knowledge of things in their reality, as far as a human being can know it, and its noblest part is first philosophy, the knowledge of the First Truth, which is the cause of every truth.
The world had a beginning
No body can be infinite in act. Take any finite part away from an infinite body: what remains is either finite, and then the whole, made of two finite parts, is finite; or it is infinite, and then a part is as great as the whole, which is absurd. Body, motion and time are never found apart, for there is no body without motion and no motion without time. So time too is finite, the world has a beginning, and it was brought into being from nothing by a cause outside it.
The True One
Everything we know is one in some way and many in another: a man is one man and many limbs, a number is one number and many units. Such unity is borrowed, and there must be a cause of unity in all things that is one in itself and in no way many: the True One. It is not matter or form, not quantity or quality or relation; it is not a genus, a species, a difference, a property or an accident; it is not motion, soul or intellect. Nothing can be said of it but what it is not. It is the cause of the being of all things, for to be is to be one, and the unity that flows from it keeps each thing in being; were it withdrawn, the thing would cease.
The four intellects
In On the Intellect he sets out four kinds. The first is the intellect that is always in act, the cause of all that is known. The second is in the soul only in potency, able to know but not yet knowing. The third has passed in the soul from potency to act and is held as a possession, which the soul uses when it wishes, as a writer uses his skill in writing. The fourth is the intellect that shows itself when the soul is actually thinking. The first brings the second into act, as fire makes cold wood hot, and so all human knowing is kindled from beyond the soul.
Dispelling sorrow
Sorrow, al-Kindi teaches, is a pain of the soul that comes from losing what one loves or failing to get what one seeks. Every thing of the senses can be lost, so whoever sets his heart on them must sorrow, and whoever wants a good that cannot be taken away must love the things of the mind, which no one can steal. Sorrow is not by nature; it comes from our judgement and our habit, and time wears it away by itself. Reason can do now what time does slowly. Consider that what was lost was a loan from the Lender of all, who may take it back when he wishes, and that to grieve at its return is to forget the thanks owed for the time it was lent.
He gives the parable of a ship. Travellers put in at an island, and some go ashore to gather flowers, shells and coloured stones. Those who come back quickly find the best places on board; those who linger find cramped corners; those who load themselves with things find no room, and must carry their burdens in discomfort; and some wander so far that the ship sails without them and they perish. The island is this world, the ship is the passage to our true home, and what is gathered here is to be held lightly.
The strings of the lute
His treatises on music teach that sound acts on the soul and the body because the whole world is ordered by the same numbers. The four strings of the lute answer to the four elements, the four humours and the four seasons: the highest string to fire and yellow bile, the second to air and blood, the third to water and phlegm, and the lowest to earth and black bile. Played in the right mode at the right time, each stirs the humour that belongs to it, gladdening, calming or rousing, and so music is a medicine for the soul. The house gives this as his account of music, not as a treatment.
Rays
On Rays, which survives only in Latin under his name, teaches that every thing in the world sends out rays in every direction, so that each thing acts on every other and the whole world is bound into one web. The heavens act on the elements by their rays, and the elements send rays too; so does a word spoken with intent and with a strong image in the mind, a figure drawn, an offering made. None of these, the treatise holds, acts by a power of its own, but by the harmony of the heavens that runs through all.
Reading a hidden message
His treatise on secret writing gives the method of breaking a cipher in which each letter is replaced by another. Take a plain text in the same language long enough to fill about a sheet, and count how often each letter occurs: call the commonest the first, the next the second, and so on. Then count the symbols of the cipher in the same way, set the commonest symbol for the commonest letter, the second for the second, and test each guess against the words it makes. Short messages mislead the count, so the longer the message, the surer the reading.
Orders and memberships
No order is documented. He was a scholar of the caliphs’ circle at Baghdad and tutor to a son of al-Mutasim, and belonged to no brotherhood that any source names.
The legend
That he was a master of magic. The name comes from On Rays, a treatise known only in a Latin version, which explains the power of the stars, of spoken words and of talismans by rays that all things send out. Whether the lost Arabic was his is not certain, and nothing shows that he practised what it describes.
Their works
- On Deciphering Cryptographic MessagesTreatise, 9th century
A short treatise found in an Istanbul library in the 1980s, which sets out how to read a cipher by counting how often each letter appears and matching the counts to the language. It is the earliest known account of frequency analysis, the founding method of breaking codes.
Ask the Oracle about it - On First PhilosophyTreatise, 9th century
His chief work of philosophy, dedicated to the caliph al-Mutasim. It defends the use of Greek learning for Muslims, argues that the world had a beginning, and describes God as the true One, beyond all multiplicity. It opened philosophy in Arabic.
Only the first part survives.
Ask the Oracle about it - On the IntellectTreatise, 9th century
A short treatise sorting the kinds of intellect, from the one always at work to the mind that only may know. Put into Latin in the twelfth century, it fed the long Latin debate on how the human mind comes to know.
Ask the Oracle about it - On Dispelling SorrowsEssay, 9th century
A letter of consolation teaching that sorrow comes from loving what can be lost, and that the soul should set its heart on what cannot be taken. It draws on Greek moral writers and was much copied in Arabic and Persian ethics.
Ask the Oracle about it - Treatises on MusicTreatise, 9th century
Several short treatises on the lute, on the notes and rhythms, and on the bond between the strings and the humours of the body, the signs and the planets. They are among the first writings on music in Arabic and treat music as a medicine for the soul.
Ask the Oracle about it - On RaysTreatise, 9th century or later
A treatise known only in Latin, De radiis, which explains how stars, spoken words, figures and talismans can act on things by the rays all things send out. It became a source for the theory of magic in the Latin Middle Ages and is the reason he was later called a magician.
The Arabic original is lost, and whether it was his is not certain.
Ask the Oracle about it
How the house tells a life
This life is told from the record, with what is documented, what is legend and what was forged kept apart. A membership in an order is stated only where documents show it. A person’s chart explains none of their deeds.
The arts it feeds
Lives near it in time
Thinkers and teachers
PorphyryHypatiaProclusBodhidharmaAdi ShankaraPadmasambhavaAvicennaMilarepaAl-GhazaliHildegard of BingenJoachim of FioreSuhrawardiThe whole tree

