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Thinkers and teachers

Alan Watts

1915 to 1973

Alan Watts: an emblem
An emblem of the things of this life, not a likeness.
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Who was Alan Watts, and what is truly known of them?

What is known

English writer and speaker, born at Chislehurst in Kent. As a schoolboy he joined the Buddhist Lodge in London, led by Christmas Humphreys, and he published The Spirit of Zen at twenty-one. He moved to the United States in 1938, was ordained an Episcopal priest in the mid-1940s and served as chaplain at Northwestern University until he left the priesthood in 1950. He then taught at the American Academy of Asian Studies in San Francisco, broadcast for years on the listener-funded station KPFA in Berkeley, and wrote The Way of Zen (1957), Psychotherapy East and West (1961) and The Book (1966). He wrote of his experiments with LSD in The Joyous Cosmology (1962). He died at his home on Mount Tamalpais on 16 November 1973.

The teaching

Taught from his own books, above all The Wisdom of Insecurity (1951), The Way of Zen (1957) and The Book (1966).

The wisdom of insecurity

Alan Watts teaches that the search for security is the very thing that makes people feel insecure. Life is a flowing process, and to try to fix it, to hold on to a person, a belief or a self, is like holding the breath: one loses it by trying to keep it. The desire for security and the feeling of insecurity, he says, are the same thing. Security comes only from accepting insecurity fully, as a swimmer who stops struggling finds that the water holds them up.

Only the present

Memory and expectation are both present experiences: the past and the future exist only as what we remember and imagine now. A person who lives for the future, he observes, never arrives, since when the future comes it is the present and they are already looking past it. Words deepen the trap. We come to live among names and plans as if they were the things themselves, like a diner eating the menu instead of the meal. The cure is not a new belief but attention to what is actually here.

No separate experiencer

When a person feels pain, they feel that there is the pain and also someone who has it and wants it gone. Watts asks them to look for that someone. There is no I apart from the experience, no thinker apart from the thought: the attempt to stand outside one's feelings and manage them is a split in the mind, and the split is what turns pain into torment and fear into panic. When it is seen that the experiencer is the experience, the struggle stops, and what remains is simply what is felt.

The skin-encapsulated ego

The Book names what he takes to be the great illusion of the West: that each person is a separate ego in a bag of skin, a stranger in an alien world. This sense of self is a social fiction, taught to children, and the questioning of it is a taboo. We do not come into this world, Watts says; we come out of it, as leaves from a tree. Just as an apple tree apples, the earth peoples: a person is something the whole universe is doing in this place, as a wave is something the whole ocean is doing.

The game of hide and seek

For the meaning of it all he turns to the Hindu picture of the world as God's play, lila. The Godhead plays hide and seek with itself: it pretends to be all the separate beings, forgets that it is pretending so that the game may be real, and finds itself again in the moment of awakening. He sets this dramatic picture beside two others he thinks have ruled the West: the ceramic picture, in which a maker shapes the world as a potter shapes clay and stands outside it, and the fully automatic picture, in which the world is a mindless machine and life an accident within it.

Opposites go together

Opposites, he teaches, belong together. Front and back, up and down, pleasure and pain, life and death are not enemies but the two ends of one thing, and neither can be without the other, as there is no inside without an outside. The Chinese figure of yin and yang shows it, each holding the seed of the other. To want only one pole, pleasure without pain or life without death, is to want a stick with only one end.

Zen and spontaneity

The Way of Zen traces Zen to its Taoist roots: wu wei, not forcing, acting with the grain of things; and tzu-jan, the of-itself-so, the way things happen without being pushed. Awakening, in his account, is not the gaining of a new state but the seeing that the mind which grasps after awakening is itself the obstacle. One cannot try to be spontaneous, since the effort defeats itself. He loved the old verse in which, sitting quietly and doing nothing, spring comes and the grass grows by itself.

In his essay on Beat Zen and Square Zen he warns against two mistakes. Beat Zen uses Zen to excuse doing as one pleases; Square Zen turns it into a rigid discipline, a hierarchy and a certificate of awakening. The Zen beyond both seeks nothing and needs no justification.

Liberation as therapy

In Psychotherapy East and West he holds that the Eastern ways of liberation, Buddhism, Vedanta and Taoism, are closer to Western psychotherapy than to Western religion or philosophy. Both work to free a person from conventions of society that have been mistaken for nature: the fixed sense of self, the rules of the social game, the double binds of being told to be spontaneous or to love on command. The guru, like a good therapist, plays a counter-game that leads the student to see through the trap for themselves.

Listening

His own counsel for meditation is simple. Sit comfortably, close the eyes and listen to the sounds around, without naming them or trying to place them, as one listens to music; let the chatter of thought be heard too, as noise in the head, without following it; and let the breath come and go by itself. The point is not to reach a special state but to stop interfering, and to notice that the listener cannot be found apart from what is heard.

Of the drugs he once wrote about, he came to say that once the message is received one should hang up the phone. The house adds that they are unlawful in most places and risky in themselves, and nothing here is a guide to them.

Orders and memberships

Ordained in the Episcopal Church and a priest for some five years. He completed no training under a Zen teacher and held no rank in any Buddhist school, though he studied for a time with Sokei-an Sasaki in New York.

The legend

That he was a Zen master. He said he was not, and called himself a philosophical entertainer; some Zen teachers and scholars thought his Zen too easy, a charge he took up in the essay “Beat Zen, Square Zen, and Zen” (1958). Recordings of his talks, widely shared since his death, are often cut and set to music, and lines are passed round under his name that he did not say.

Their works

  1. The Way of ZenBook, 1957

    His introduction to Zen, tracing it from Indian and Chinese thought to its practice in Japan. It was one of the first books to bring Zen to a wide Western audience. Some scholars and teachers thought his Zen too easy.

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  2. The Book: On the Taboo Against Knowing Who You AreBook, 1966

    His short book on the sense of a separate self, which he called a social fiction, set against the teaching of Vedanta and Zen. It was written as a book a parent might give a child. It is one of his most read.

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  3. The Spirit of ZenBook, 1936

    His first book, written at twenty one from his reading of D. T. Suzuki. It was a young man’s introduction to Zen for English readers. He later thought it immature.

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  4. The Wisdom of InsecurityBook, 1951

    A book on living in the present, holding that the search for security is itself the source of anxiety. It was written as he left the priesthood. It reached a wide public.

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  5. Beat Zen, Square Zen, and ZenEssay, 1958

    An essay in which he weighed the Zen of the Beat writers, the Zen of formal practice and the Zen he thought lay beyond both. It answered critics who found his own Zen too easy. It was much read in the years of the Beats.

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  6. Psychotherapy East and WestBook, 1961

    A book comparing Eastern ways of liberation with Western psychotherapy, holding that both aim to free a person from social conditioning. It was read by therapists and teachers alike. It shows his bridge building between two worlds.

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  7. The Joyous CosmologyBook, 1962

    His account of experiments with LSD and other drugs, which he described as showing the unity of things. It has a foreword by Timothy Leary and Richard Alpert. He later said that such drugs were not needed once the point was seen.

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  8. In My Own WayMemoir, 1972

    His autobiography, from his childhood in Kent to his life in California. It tells of his school days, his priesthood and his teaching. It is witty and candid about his own failings.

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How the house tells a life

This life is told from the record, with what is documented, what is legend and what was forged kept apart. A membership in an order is stated only where documents show it. A person’s chart explains none of their deeds.

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